Posterous theme by Cory Watilo

Filed under: Just Sayin'

The Age of Madonna

Madonna talks about ageism at the age of 34.

Thanks to Matt Rettenmund (He's actually met and interviewed Madonna!!!!) for posting this video and his thoughts, which inspired this blog post. Check out his blog, Boy Culture! 

She’s famously tackled sexism, racism and gay rights. Now, it seems, intentionally or not, Madonna is taking on ageism.

The 53-year-old superstar continues to push her career forward with the same, if not more, intensity she had when she burst onto the scene in 1982. It’s only February and she’s already released her second movie, recorded a new album, – MDNA, out in March – is kicking off a massive world tour and, most recently, performed a high-energy dance party during the Superbowl’s Halftime Show.

While most of the press seemed to like her halftime performance, where she was carried to stage by Roman gladiators before cartwheeling over breakdancers, shuffling with LMFAO, bumping booties with Nicki Minaj and M.I.A. and taking us to church with Reverend Cee-Lo Green, she had her usual detractors.

What wasn’t usual about the harsh comments was their overarching theme. Instead of being slammed for being sacrilegious (in the 80s), or for being brazenly sexual (in the 90s), or even for knocking the American ideologies that made her a star (in the 00s), she was now being attacked for her age. “She is too old! She should just stop! She’s not in her 20s anymore!”

An odd criticism, since really, it’s not like she chose to be older.

By comparison, her musical contemporaries seem to age more gracefully, but that’s only because of the context of their music. Bruce Springsteen and Mick Jagger are rockers who only need guitars and stage presence to be considered successes. Celine Dion and Barbra Streisand are known for their ballads, so they can arguably just sit on a stool in a sparkling dress and still pack Las Vegas theatres.

But that’s not the nature of Madonna’s beast. She earned her fame by singing fun pop songs. Sure, she’s dabbled in somber and serious moments of artistic genius (“Live to Tell”, “Oh Father”, Ray of Light), but dance music is her bread and butter.

She could easily rest on her laurels and perform intimate concerts based solely on her impressive catalogue of hits. But, that’s the equivalent of a celebrity retirement home. I don’t want that. I admire her ambition to keep pushing herself, her desire to try new things and her refusal to just sit in the corner and be old.

What people are failing to grasp here is that we have a bona fide megawatt pop legend who is still making new music. For a celebrity who’s painted as all shades of snobbery, at least she isn’t arrogant enough to presume she can use her classics to just milk her fans for all they’re worth. She’s still supplying the demand. Sure, she might not ever write another “Vogue” or “Hung Up”, but can’t the lady have some fun trying?

What’s also surprising is how petty this criticism seems. It’s not like she’s a soccer mom who had one too many coolers at the staff party. It’s MADONNA. The woman who made a career out of making songs that play at said staff parties. So, she can shake it all she wants, and own it. I’d like to see any of today’s pop stars do that in 30-odd years without the same ridicule.

 We are all destined to get older. And, while most of us will move a little more slowly and look a little more saggy, I choose to be inspired by Madonna’s youthful attitude. I want to have the physical and mental energy at her age and beyond. I want to still be able to go out and live life and have fun with a devil-may-care attitude. After all, age is just a number, not a state of mind.

I doubt this anti-ageist stance is an intentional move on her part. She’s making a statement without realizing she is. And that’s the beauty of it all. It’s as if she’s saying “Yeah, I’m over 50. So what?”

 

Maroon 5 and Christina catch some disco fever

Maroon 5 and Christina Aguilera get all funky on their new single "Moves Like Jagger". 

The video features a topless Adam Levine and a very well-lit and tightly-framed Christina cavorting around a lot of sexy women dressed like Mick Jagger. The video is framed with an old, and humbling, interview with Mick, who clearly had no idea at the time how much of an impact he would have on music history.

But, it seems that history isn't Adam and Christina's strong suit. After all, why is a song about Mick Jagger all disco? Shouldn't it be more classic Brit rock? 

Is Justin Timberlake the new Madonna of acting?

Kathleen and I were chatting the other day about Justin Timberlake. We both agree that he needs to stop pursuing acting and just get back to the recording studio already. 

But, that doesn't seem to be on his radar. He is all about the acting. He's got quite the impressive filmography going on now. With a few hits and a lot of misses. And yet, he keeps on trying. 

It boggles my mind that a) he is so determined/delusional to be taken seriously as an actor and b) that people in the industry are taking him seriously, giving him shot after shot, from bit player to leading man.

Gawker put it best - he's not a good actor. But, he's not a bad actor, either. And one of his biggest hindrances is the simple fact that he's Justin Timberlake. As Kathleen put it, he's too big a celebrity to allow for the necessary suspension of disbelief that is required for watching movies (thanks Film Studies minor!)

So, this got me thinking that this is the same problem Madonna had whenever she tried her hand at acting. She's been in a bunch of movies, but the biggest criticism was that she just isn't a believable actress simply because she is Madonna. And the films where she was good in - Evita, Body of Evidence, Dick Tracy - she was successful because she was basically playing a version of herself.

Which is another detraction for JT's acting career. In The Social Network and Friends With Benefits, he's bascially playing a version of himself. And when he tries to veer away from that public image, as in The Southland Tales and The Love Guru, he's pointed out as the weakest link.

So, I think Justin needs to snap out of this acting phase already. If he's to learn anything from Madonna, it's that anything else they do will pale in comparison to their contributions to music. Well, except for when they work together.

Until then, he's just going to keep thinking we love him and that we're feeding his ego. Like this:

Nothingbutjsutintimberlake